Recently the show was featured in the New Yorker:
“’Trigger’ arrives on two tracks: the art and the attendant discourse. The head curator, Johanna Burton, convened a committee of academics to help plan the show. The chewy catalogue presents roundtable discussions that review the legacies of four previous exhibitions at the museum […] Indeed, as a tool and as a weapon, the term has served to sabotage thinking along traditional male/female lines—while inflicting collateral damage, which Burton’s advisers disarmingly note, on clear thought along much of any lines at all. Burton declares, at the outset of the transcribed conversations, ‘a paralysis within discourse’ regarding identity politics.”
Read the full article at The New Yorker.
The show is on view now through January 21, 2018.